iMovie '09 & iDVD: The Missing Manual

iMovie '09 & iDVD: The Missing Manual
by Aaron Miller, David Pogue

iMovie '09 & iDVD: The Missing Manual
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Book Summary Information

Author: Aaron Miller, David Pogue
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2009-04-01
ISBN: 0596801416
Number of pages: 464
Publisher: Pogue Press

Book Reviews of iMovie '09 & iDVD: The Missing Manual

Book Review: Even an 80 year old can learn to create movies with this manual
Summary: 5 Stars

I could not have made my first movie without iMovie '09 & iDVD The Missing Manual.

I am now 80 years old, and learning something new. My wife has been ice skating for 63 years, and had never seen herself skate. She had her second knee replaced, and it would be wonderful if she could show her surgeon how she could skate on her new knee.

It took almost a week using iMovie '09 & iDVD The Missing Manual to learn enough and create the first movie of my wife and myself ice skating. It took less time to create a second movie of my wife skating. She had some ideas for improving it. It only took one day to shoot the ice skating that she wanted to show the surgeon, and create that movie of her skating. She was thrilled, and we hope her surgeon will also be thrilled.

If an 80 year old can use iMovie '09 & iDVD The Missing Manual to make movies, you can too.

iMovie '09 & iDVD The Missing Manual covers a lot more than iMovie and iDVD because it takes a lot more than iMovie to make a movie.

First the book covers the advantages of different camcorders past and present as well as the different ways you import videos from them. I wasted time here trying to find out how to import from my digital camera into iMusic. Later I found the indexed reference to iPhoto Videos which explained they are imported into iPhoto and how iMusic uses them from there.

Next iMovie '09 & iDVD The Missing Manual clearly covers the concept of movie projects, and of events which contain source footage. Then it covers building the movie by reviewing (skimming) your clips, selecting and editing the good stuff, adding the good stuff to your project in the storyboard, and using the editing tools. There was too much to learn all at once. I selected the portions of the information in the manual that I needed to do what I needed to do when I needed it. I found the information I needed to select and insert transitions, run stabilization analysis, and to add titles. I used just a little of the information in chapters about Narration, Music, and Sound, and about photos, to import background music from iTunes and add stills from iPhoto for the beginning and ending.

You could become an expert by learning all there is in iMovie & iDVD The Missing Manual, but not in one month.

Part two covers getting your finished movie to your audience. Using iMovie '09 & iDVD The Missing Manual it was a snap for me to export to iTunes and from there to our iPods, to export to YouTube and MobileMe. It was also easy to create QuickTime versions of my movies and to burn the movies to a CD. There is more in the book about QuickTime and the Quicktime Player that I want to learn.

Part three covers iDVD '09. I will use it to create and burn a DVD containing my movies and slide shows. As with iMovie, I will not need to learn to be an expert, but based upon my experience with the iMovie '09 portion of iMovie '09 & iDVD The Missing Manual, I am sure you could use it to become an expert.

I highly recommend iMovie '09 & iDVD The Missing Manual. Aaron Miller has written an excellent '09 update. He makes light reading of what could be a heavy subject, but without forcing David Pogue's natural humor.

You can view the movies at
100204_IceSkating
[...].

Summary of iMovie '09 & iDVD: The Missing Manual

Bursting with new features, Apple's iMovie '09 is vastly more usable and complete than iMovie '08--amazing right out of the box. But the box doesn't include a good user's guide, so learning these applications is another matter. iMovie '09 and iDVD: The Missing Manual gets you up to speed on everything you need to turn raw digital footage into highly creative video projects.

You get crystal-clear, jargon-free explanations of iMovie's new video effects, slow & fast motion, advanced drag & drop, video stabilization, and more. Author and New York Times tech columnist David Pogue uses an objective lens to scrutinize every step of process, including how to:

  • Organize your videos just like your photos, and precisely edit with ease
  • Work on multiple iMovie projects at once and drag & drop clips among them
  • Integrate with other iLife programs to use songs, photos, and an original sound track
  • Output your creation to a blog, its own web page, or as a video podcast with iWeb
  • Understand basic film techniques to improve the quality of the video you bring to iMovie
  • From choosing and using a digital camcorder to burning the finished work onto DVDs, posting it online, or creating versions for iPod and iPhone, iMovie '09 & iDVD: The Missing Manual helps you zoom right in on the details.


    Apple's iMovie '09 is more accessible and comprehensive than iMovie '08--and impressive right out of the box. The one thing not in the box is a user's guide, and that's where this book comes in. You'll make the most out of the applications if you get help from the experts. iMovie '09 and iDVD: The Missing Manual explains everything you need to know to turn raw digital footage into high quality film.

    Stabilizing Shaky Footage
    By David Pogue and Aaron Miller
    Not every piece of video needs fancy effects. In fact, most video is probably better without a Dream filter and Picture-in-Picture. The unadulterated stuff straight from your camera usually looks best.
    In fact, if your footage needs any help at all, it?s probably in the cameraman department. Don?t take this personally. Handheld shots, the most common kind of home video, are notoriously unstable, and that?s an instant giveaway that you?re an amateur. You can have the hands of a surgeon and still end up with shaky footage. This is true even with all the newfangled image stabilization technology that comes in the latest cameras.
    Don?t give up (and don?t resort to carrying a tripod everywhere). iMovie ?09 can stabilize your video after the fact, using one of its most amazing new features.

    Video Stabilization
    iMovie has powers that leave other ?beginner? video-editing programs panting with envy. It?s filled with tools that have historically been found only in professional editing programs. iMovie?s stabilization feature, for example, is inherited from Apple?s $1,000 Final Cut Pro software.
    It works by analyzing every single frame in a clip, recognizing the changes in both camera position (movement up, down, left, or right) and camera rotation. Once it figures that bit out, it knows how to slide and rotate your clips to iron out the shakes.
    Unfortunately, this sort of analysis takes a very long time?roughly ten minutes for every minute of video (more or less depending on your Mac?s speed).
    The results, however, are worth it. The stabilization feature works absolute magic on most jerky, bumpy handheld footage. It works so well, in fact, that it can look positively creepy, as though you were floating along on a magic carpet. Fortunately, there?s a slider that lets you control how much stabilizing goes on.

    Four Ways to Trigger Stabilization Analysis
    Before iMovie can stabilize your video, it has to perform the above-mentioned analysis, which takes a long time. Fortunately, you have a lot of control over when the program does this processing:
    1) Stabilize during import. You?re offered the opportunity to perform the analysis when you bring the footage into your Mac, as described in Chapter 1.
    2) Stabilize selected clips. You can analyze certain clips at any time. Select one, or a group of them, and then choose File-->Analyze for Stabilization.
    3) Stabilize an entire Event. In the list, click an Event?s name and then choose File-->Analyze for Stabilization. This option is great if the Event in question is someone jumping on a trampoline during an earthquake.
    4) Stabilize a clip in the Event Browser. Double-click the clip to open the Inspector panel. Click Analyze Entire Clip as shown in Figure 7-1.
    5) Stabilize a clip that?s already in the storyboard. Point to the clip, and then from the gear-icon menu, choose Clip Adjustments. On the panel that appears, turn on ?Smooth clip motion.? This is a great trick when you?re looking over a project in progress and discover that one particular jerky shot is ruining the flow. It can also save you a lot of time, because iMovie stabilizes only the 20 seconds of a clip that you?ve actually used?plus an additional second on either side?rather than processing the 15-minute original (see Figure 7-2).
    If you later decide to lengthen the clip you stabilized (by more than a second), you?ll need to do more analyzing. The once-checked checkbox in the Inspector will require rechecking. Fortunately, iMovie analyzes only the new part you added that wasn?t already analyzed.
    Then go knit a sweater while you wait for your Mac to analyze your footage.
    Be prepared for a wait when you decide to analyze a clip. Depending on the speed of your computer, it can take between five and twelve minutes (or longer for older Macs) for every minute of footage stabilized. If you have a lot to analyze, let the Mac do its job overnight while you get some beauty sleep.
    A stabilized clip in your project displays a checkmark in the Stabilization box, plus the Maximum Zoom slider. Turn Stabilization on and off all you like; iMovie never has to analyze a clip but once.

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